“The Cyril Baptiste?” she asked. She had often wondered what he might be like. Joan took him into her room at the end of the ward, from where, through the open door, she could still keep watch. They spoke in low tones.!

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. She wrote to Phillips to meet her, if possible, at Euston. There were things she wanted to talk to him about. There was the question whether she should go on writing for Carleton, or break with him at once. Also one or two points that were worrying her in connection with tariff reform. He was waiting for her on the platform. It appeared he, too, had much to say. He wanted her advice concerning his next speech. He had not dined and suggested supper. They could not walk about the streets. Likely enough, it was only her imagination, but it seemed to her that people in the restaurant had recognized him, and were whispering to one another: he was bound to be well known. Likewise her own appearance, she felt, was against them as regarded their desire to avoid observation. She would have to take to those mousey colours that did not suit her, and wear a veil. She hated the idea of a veil. It came from the East and belonged there. Besides, what would be the use? Unless he wore one too. “Who is the veiled woman that Phillips goes about with?” That is what they would ask. It was going to be very awkward, the whole thing. Viewed from the distance, it had looked quite fine. “Dedicating herself to the service of Humanity” was how it had presented itself to her in the garden at Meudon, the twinkling labyrinth of Paris at her feet, its sordid by-ways hidden beneath its myriad lights. She had not bargained for the dedication involving the loss of her self-respect.

“I don’t see it,” said Joan, with decision. She thought that even then God might reconsider it—see her point of view. Perhaps He would send her a sign. “But he won’t be able to do his work if you keep away and never come back to him,” she persisted. “Oh, I know it. It all depends upon you. He wants you.”